Power Prompts
Professional templates for every music style – ready to use
*Style-inspired templates – no official affiliation with named artists
Recently Added
The Black Keys Style – Garage Blues Rock
Garage rock / blues rock / indie rock / lo-fi / psychedelic blues in The Black Keys style (2000s–2010s indie/garage rock revival): Dan Auerbach’s raw, lo-fi vintage guitars – Harmony H78 (DeArmond gold-foil pickups) and Danelectro 56 U2 (lipstick pickups) plus Gibson Les Paul Goldtop, Supro Dual Tone and Fender Telecaster – through Fender Tweed Deluxe (5E3), Marshall JTM45 and Ampeg Gemini I (cranked for creamy tube breakup). Fuzz layering from EHX Big Muff (Russian green & op-amp), Shin-ei Companion FY-2 and Analog Man Sun Face, plus Boss OC-2 octave for fat sub-octave riffs, Dunlop Cry Baby wah, Ibanez TS9 and Echoplex EP-3 tape delay (slapback). Riff-driven, heavy, pentatonic-bluesy playing with syncopated groove and raw palm-muting. Monophonic bass (1970s Fender Precision / Guild Starfire) follows the guitar riff exactly, through Ampeg SVT-CL and B-15 Portaflex. Ludwig Vistalite / vintage 60s maple kit (22" kick, 13" rack tom, 16" floor tom) with Acrolite / Supraphonic snare: dry, punchy, unpolished 4/4 stomp groove with heavy snare backbeat, Glyn-Johns mono-overhead miking. Vintage keys: Mellotron M400, Wurlitzer 200A e-piano, Farfisa Compact combo organ, Moog Sub 37. Gritty blues-rock baritone with chest voice and nasal edge (Dan Auerbach), falsetto backing choirs. PRODUCTION SECRETS: heavy tape saturation, dry mono-overhead drum miking (Glyn Johns), fuzz layering with parallel clean DI transients, spring/slapback echo chambers, slapback delay on vocals, raw lo-fi garage sound.
Sacred Music / Church Music – Liturgical
Sacred / church music from Gregorian chant to the present (Renaissance vocal polyphony, Baroque oratorio, classical mass, modern worship). Central instrument: the pipe organ – Baroque Silbermann organ (clear, silvery) or symphonic Cavaillé-Coll (grand, romantic), stops such as Principal 8', Gedackt 8' and Trumpet 8', from quiet continuo to full organ (tutti). Plus a Baroque orchestra (violin, viola, cello, double bass arco, Baroque flute, oboe da caccia, natural trumpets), positive organ and harpsichord continuo, subtle digital pads and classical guitar for modern worship. Solemn rhythm: orchestral timpani, ceremonial cymbal swells and – only in modern worship – a discreet brush/cajón kit. Vocals: mixed SATB choir (classically/operatically trained, pure intonation, straight low-vibrato early-music tone or full romantic operatic sound) plus a pure soprano/tenor soloist; alternatively intimate undistorted pop vocals in modern worship. PRODUCTION SECRETS: natural cathedral reverb (2–6 seconds), Decca-tree main miking plus spot mics (Neumann U87, Schoeps Colette) through Avalon/Neve tube preamps, COMPLETE avoidance of hard compression and brickwall limiting – the full dynamic range from whispered pianissimo to organ tutti fortissimo is preserved. Era: medieval to modern. Key: mostly C/D major (solemn) with a strong D-minor and church-mode presence (Dorian, Mixolydian). 60–120 BPM, 4/4 or 3/4, also free-metre chant. Languages: Latin, German, English. Themes: faith, praise, spirituality, comfort, eternity.
Savoy Brown Style – British Blues Rock
British Blues Rock / Electric Blues / Boogie Rock in Savoy Brown style (late 60s & 70s British blues boom): Kim Simmonds' iconic Gibson Flying V through Marshall Super Lead / JTM45 100W Plexi (fully cranked British power-tube crunch) with Dallas Arbiter Fuzz Face (germanium + silicon), Vox V846 wah-wah, Colorsound Power Boost / Treble Booster and Echoplex EP-3 tape echo (slapback on solos) for singing blues sustain, expressive bending and melodic lead picking. Gibson Les Paul Custom for heavy boogie riffs and bottleneck slide, Gibson ES-335 for warm semi-hollow British blues leads, Fender Stratocaster for brighter funk-blues licks. Hammond B3 / C3 with Leslie 122 for percussive blues comping and glissandi, boogie-woogie / honky-tonk piano. Amplified, overdriven blues harp (harmonica) through a bullet microphone. Running walking bass (Fender Precision / Jazz Bass through Marshall Bass / Ampeg SVT Classic 8x10, driving root-note eighths, light tube saturation). Ludwig Super Classic kit (22" kick, 14" Supraphonic snare) with Paiste 2002 and Zildjian Avedis: dynamic open blues shuffle, syncopated backbeats, dynamic ghost notes. Powerful, hoarse bluesy baritone-to-tenor (Chris Youlden sonorous and raw, Dave Walker driving and earthier classic-rock shout). PRODUCTION SECRETS: live-in-studio tracking (natural bleed, organic room sound), stereo panning (rhythm guitar hard left, organ hard right, lead guitar and vocals center), tape saturation on the drum buses and tape delay on the lead guitar for a dense, earthy 70s sound.
Fontaines D.C. Style – Post-Punk / Irish Indie Rock
Modern post-punk revival / Irish indie rock / art punk / dark wave (2018–present). Live ensemble tracking for natural room bleed. Guitar 1 (lead/texture): Fender Jaguar / Jazzmaster through Fender Twin Reverb with EHX Holy Grail Reverb & EHX Small Clone Chorus – melodic single-note hooks, dissonances, tremolo picking (single-coil twang, hard-panned). Guitar 2 (rhythm): Fender Telecaster Custom through Vox AC30 with ProCo Rat & Boss BD-2 – fast down/up strokes (eighth/sixteenth chords, fuzz layers, hard-panned opposite). Bass: Fender Precision Bass / Rickenbacker 4003 through Ampeg SVT, driven SansAmp bite, percussive pick playing (eighth-note pumping). Keys: Mellotron flutes & strings, warm Roland Juno pads – analog, minimalist. Drums: acoustic Gretsch/Ludwig kit, post-punk/motorik beat, 4/4, dry room sound, spot tape-delay on the snare. Lead vocal: dry, close-miked mono baritone (Dublin accent, Sprechgesang), centered, 1176 peak limiting, analog saturation. Backing: group vocals / unison shouts in the chorus, slightly overdriven, spread across the stereo panorama. Analog spring reverb & tape slapbacks instead of digital reverb chambers.
Comedian Harmonists Style – Close Harmony / Weimar Republic Schlager
Close harmony of the Golden Twenties (1928–1935, Weimar Republic): a five-part all-male vocal quintet with solo piano accompaniment only – no drums, no bass instrument, no guitar, no synthesizer. The five voices: Ari Leschnikoff as 1st tenor (clear operatic head voice, leggero with falsetto entries), Erich Collin as 2nd tenor, Harry Frommermann as 3rd tenor and vocal arranger (sound imitations, vocally imitated brass and percussion), Roman Cycowski as baritone, and Robert Biberti as basso profondo carrying the entire bass line as a sung upright-bass substitute in walking-bass style. Rhythm: a purely vocally phrased 4/4 foxtrot and march – mouth percussion instead of a kit. Keys: virtuosic stride piano and ragtime accompaniment on an acoustic concert grand (Steinway & Sons Model D or C. Bechstein Model C). Vocal style: highly precise contrapuntal ensemble singing, bel canto technique, falsetto entries, scat and sound imitations, crisp 1930s German diction. PRODUCTION SECRET: direct mono recording cut to wax via one or two large-diaphragm microphones (early condenser mics, e.g. Neumann CMV 3 “Neumann bottle”) through historic tube preamps (Telefunken/Blaupunkt era). Depth staging is created exclusively by millimetre-precise physical placement of the singers around the grand piano: Biberti and Frommermann close to the mic for bass and percussion effects, the tenors slightly offset behind them. Natural room reverb of historic Berlin halls (including the Sing-Akademie zu Berlin). No overdubs, no layering, no stereo. Predominantly major keys with a light-footed humorous character, most often F major followed by C major, occasionally G major, 4/4 time.
Turkish Music – Modern Turkish Pop / Arabesque Fusion
Modern Turkish Pop / Arabesque-Pop Fusion / Anadolu Rock (modern era 2010–2026): electric saz (bağlama) with magnetic DiMarzio/Lollar pickups through a Vox AC30 and Fender Twin Reverb for a clean but biting tone, complemented by acoustic oud and cümbüş textures with microtonal koma intervals. Fender Stratocaster 60s Reissue through Vox AC30 with Ibanez Tube Screamer TS9 and EHX Holy Grail reverb for brilliant clean sounds (arpeggiated in the verse), Gibson ES-335 through Fender Twin Reverb with wah-wah, Boss DD-7 delay and Strymon BigSky for groovy rhythmic chorus riffs. Korg Pa5X (Oriental) and Yamaha Genos / Yamaha Motif XF8 with microtuning for pads and fast quarter-tone runs. Fender Precision Bass played melodically, following the melismas of the saz. DW Collector’s Series drums with layered Roland TR-808 snare snaps, straight 4/4 with 9/8 aksak elements in the bridge, plus Meinl darbuka and bendir right on the house beat. Turkish strings with 12–24 players and micro-interval tuning, Turkish G-clarinet and violin for intro solos. Dramatic mezzo-soprano with melismatic Turkish ornaments (Kahbe), fast vibrato and a lamenting, highly emotional delivery. PRODUCTION SECRETS: quarter-tone tuning of the string sections for the silky yet intense sound, extremely dry present lead vocal with widely panned heavily compressed doubles in the choruses, organic darbuka/bendir layered on a hard 4/4 house beat, sidechain compression between kick and traditional percussion, strong 12kHz air boost on the vocals.
Choose Your Sound
Click on a preset and start immediately with pre-configured parameters
*Style-inspirierte Vorlagen – keine offizielle Verbindung zu genannten Künstlern
Video Tutorial – How Power Prompts work
What are Power Prompts?
Our Power Prompts aren't simple templates – they are the result of intensive research into the original sounds of legendary artists and genres.
Original Instruments
We researched the exact instruments the artists actually play.
Gibson Les Paul Custom, ESP Eclipse, Mesa Boogie Dual Rectifier
Complete Signal Chain
From instrument through pedals, amplifiers to the mixing desk – everything is documented.
Gibson Les Paul Special → Fender Twin Reverb → Roland Space Echo RE-201
Authentic Effects
Every effect is genre-specific: reverb, delay, compressor, modulation.
TC Electronic Nova Delay, Vocal Doubling, Sidechain Compression
Vocals & Performance
Vocal style, voice character and typical singing techniques of each artist.
Deep, rolling baritone with military precision, spoken passages
Production Secrets
The studio tricks and mixing techniques that define the sound.
Vocoder harmonies, sidechain pumping, French Touch filter
Era & Key
The typical era, key and BPM range for maximum authenticity.
Cinematic, D minor, 60–180 BPM, High Dynamic Range
🎸Example: What's inside a Rammstein Power Prompt?
🎛️ Instruments & Gear
- • E-Guitar: Gibson Les Paul Custom, ESP Eclipse
- • Amplifier: Mesa Boogie Dual Rectifier, Marshall JCM800
- • Bass: ESP Phoenix, Ampeg SVT-4 Pro
- • Drums: Pearl Masters Maple, Tama Iron Cobra Pedal
- • Keys: Roland Phantom, Korg MS-20
🎤 Vocals & Effects
- • Voice Type: Deep, rolling baritone
- • Technique: Military precision, rolled R
- • Effects: Vocoder, distortion on voice
- • Language: German with emphasis
- • Structure: Industrial breaks, staccato riffs
The result: A prompt that tells Suno AI exactly how the authentic Neue Deutsche Härte sound should be – not guessed, but researched and verified.
Ready to Go
All 6 wizard steps are already optimally pre-configured
100% Customisable
Use them as a base and change every parameter to your liking
Constantly Expanding
New artists and genres are added regularly